Visa requirements to do work in the US, paid for and hired in another country

Upvote:0

Legally speaking, if you're doing any kind of "work" in the US, meaning pretty much anything that doesn't involve sitting around in meeting rooms, you're supposed to get a nonimmigrant work visa. This is the case regardless of who is paying you, and even if you aren't being paid at all (eg. internships). And as you've found out, getting one of these involves a world of pain.

All that said, practically speaking, as long as you keep your trips pretty short, odds are very high you'll be fine with a regular ESTA or B1/2 visa, just state your itinerary and that you're going there to travel, see the sights, etc. If quizzed about your video gear (highly unlikely, because the people quizzing you at immigration won't know about it!), state that you're a keen photo/videographer. All of this is perfectly true, and things may only get sticky if you're asked who is paying for all this and they don't take "I am" as an answer.

Yes, there is a small chance you'll run into trouble, be denied entry and need to apply for visas whenever you go to the US. However, a travel company I used for also did lots of video production in the US, and AFAIK they both used VWP/B1/B2 and never had any issues. YMMV.

Upvote:8

You are not allowed to do film production work as a visitor on the Visa Waiver Program. You should determine whether you're qualified for an I visa: Visas for Members of the Foreign Media, Press, and Radio. These visas are for:

An employee of foreign information media or employee of an independent production company having a credential issued by another country’s professional journalistic association engaged in filming a news event or documentary.

A member of the foreign media engaged in the production or distribution of film, if the material being filmed will be used to disseminate information, news, or is educational in nature. The primary source and distribution of funding must be outside the United States.

A journalist working under contract with a credential issued by another country’s professional journalistic association, if working on a product to disseminate information or news that is not primarily intended for commercial entertainment or advertising.

A foreign journalist travelling to the United States to report on U.S. events solely for a foreign audience, if the journalist works for an overseas media outlet having its home office in a foreign country.

An accredited representative of a tourist bureau, controlled, operated, or subsidized in whole or in part by a foreign government, who engages primarily in disseminating factual tourist information about that country, and who is not entitled to receive an A-2 visa as a foreign government official or employee.

An employee of an organization that distributes technical industrial information who will work in the U.S. office of that organization.

As you can see, these visas are appropriate for news and informational programs, as opposed to programming that is primarily for commercial or entertainment purposes. Obtaining O visas for key personnel for entertainment projects is a specialized topic and should be done by US-based immigration lawyers who specialize in working with the entertainment industry.

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