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Between the winter of 1865 and the summer of 1866, the Pre-Raphaelite British painter John Everette Millais rented this mannequin from leading art supply store Charles Roberson & Co. The Parisian figure — known simply as Child no. 98 — had a horse-hair stuffed torso and a papier-mache head. It was too pricy to buy, but it proved an apt model for two portraits (“Sleeping” and “Waking”) the artist made of his own daughters. He worked from such dolls up until his death in 1895 (Image courtesy of Roberson Archive, Hamilton Kerr Institute © Hamilton Kerr Institute, Fitzwilliam Museum, Cambridge. Photograph by Chris Titmus)
from the article Artists’ Mannequins Through the Centuries by Laura C. Mallonee